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At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor. They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are- are they funny in life? Where is the line between their character in the cinema and their real personality?

Filmed 5 and 6 November 2020. Argan, suffering from hypochondria, decides to marry his daughter to a young doctor... The troupe of the Comédie-Française, led by Guillaume Gallienne and Bruno Podalydès, excels in this comedy-ballet, which is both a satirical farce and a reflection on death. The direction by Claude Stratz and the original music by Marc-Olivier Dupin breathe new life into this classic by Molière.

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From the very beginning, film comedy focused on the world of work.

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Behind the scenes of the theater, while the last performance has just ended, the comedian returns to his box.

《贵人迷》是莫里哀与吕利这两位天才共同打造的杰作，他们携手创作此剧意在讨路易十四欢心。该剧由德尼·波达利德斯执导，吕利的音乐由克里斯托夫·科安和利摩日巴洛克乐团负责演绎，服装则由克里斯汀·拉克鲁瓦设计。这部作品的喜剧魅力依旧不减当年，其将文字与音乐精妙融合的能力也未有丝毫褪色。